Client: The New Yorker
AD: Chris Curry

What appears to be consensual intimacy is an act of deliberate carnal deceit.

For Anthony Lane’s film review of The Burnt Orange Heresy in The New Yorker magazine. The film is about how the charismatic art critic James Figueras and his American lover travel to the lavish Lake Como estate of powerful art collector, Joseph Cassidy. Their host reveals he is the patron of Jerome Debney, the reclusive J.D. Salinger of the art world, and he has a simple request: for James to steal a Debney masterpiece from the artist's studio, whatever the cost.